Eleanor's blog

Field  For the flashback of the field I will use locations of Beckenham Place Park or Dulwich Park (yet to be decided). Depending on the weather, I would like the sun to be setting on a long grass lawn with the women running through the field. I want the fields to evoke themes of freedom, and joyful times with her partner that are contrasted with the mundane sequences of the present day. There should be an obvious mood change.  Bedroom  The bedroom I use has to be one belonging to a 21 year old couple. This minimalistic setting will be somewhat bland, to connote to the idea, showcased later in the film, that he could be moving out for some reason. The room has little life to it to represent that the woman was the light of his life. There needs to be a difference in the set from the flashbacks.  Kitchen  Initially, I decided to film in a kitchen setting that was entirely red, but a compromise had to be made in my planning due to over using the colour, so I decide...

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  'Slap' is a short film about identity, courage, love and acceptance, but also a matter of rage. The play on this nuanced is done successfully by representing a teenage boy who has a passion for boxing, however he also has a secret love and expressing himself in a feminine way as it gives him a sense of freedom. As the film unfolds, we begin to see the struggles he faces when trying to feel accepted in society due to non conforming to the stereotypical masculine role.  The use of objectifying posters of women in the background/on his wall not only show that he has an appreciation for the female body, but also shows his idealised self and what he aspires to look like. They are used to try and deceive his father into thinking that he finds the female body attractive and implies that he has voyeuristic fantasies about women, much like other boys his age. However, they suggest that he is unhappy with his masculine appearance and instead wishes to look more feminine, which he expr...

Over (2015) is a short film  that captures a crime scene revolving around a real event. A man fell from his death after hiding in the plane's landing gear on a flight approaching Heathrow airport in 2012. This film is in reverse chronological order which is showcased by the time stamps. This effect is that the peace of a neighbourhood is disrupted but we realise the peace is a way of time passing from the man's death.  In terms of of cinematography, the camera remains static and slow in it's movements to symbolise that we are left wondering how the man ended up there and what crime took place. The audience to do not find out until the aghast final shot, as the man falls from the sky and lands on the car. There is little dialogue so the cinematography is used for the source of narrative. With long shots that show the progression of a crime scene in reverse order, each shot provides a different angle and perspective which allows the audience to gain more detailed knowledge of...

The short film, Echo (2011) was written by James Walker after witnessing a real incident in central London. Direction from Lewis Arnold, it is an emotive short film that explores the lasting affect a father's death has on his young family.  There is no clear structure which is an alternative approach to film making that we have explored in previous set short films. The twist the audience are anticipating happens at the beginning of the film so makes the viewer unsure how the following events relate to each other.  The themes portrayed in this film is exploitation, rebellion, sadness and mystery. With this, a unsatisfactory, open ending has occurred. The audience can assume that the dad has died but the full truth isn't given. We are left with questions that go unanswered, but the event that replays could be the explanation for why she is acting like this as a reference to the initial feelings she experienced when her dad first died.  At the beginning of the film we are in...

Operator is a short film about a gripping 999 emergency call. The dispatcher takes a fire emergency call from a distressed mother pleading for her and her 3 year old son to be saved from her burning house. There is a strong emphasis on offscreen sound and space, which engages the viewer to imagine the anxiety aroused in the unseen situation.  The use of minimal camera positions focuses on the intensity of the situation, but also directly highlights the operator's face. With this, the audience are able to read her emotions and build strong tension and distress. The use of a shallow depth of field, with warmer lighting accentuate the binary opposition with the other end of the phone. This juxtaposition is showcased with the way in which the situation is dealt with. The dispatchers natural form of comforting compared to the distressed seeking of aid creates an emotional experience for the audience.  The use overlapping the sound of the off-screen situation helps indicate the busy...