short film storyboard

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echo

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The short film, Echo (2011) was written by James Walker after witnessing a real incident in central London. Direction from Lewis Arnold, it is an emotive short film that explores the lasting affect a father's death has on his young family.  There is no clear structure which is an alternative approach to film making that we have explored in previous set short films. The twist the audience are anticipating happens at the beginning of the film so makes the viewer unsure how the following events relate to each other.  The themes portrayed in this film is exploitation, rebellion, sadness and mystery. With this, a unsatisfactory, open ending has occurred. The audience can assume that the dad has died but the full truth isn't given. We are left with questions that go unanswered, but the event that replays could be the explanation for why she is acting like this as a reference to the initial feelings she experienced when her dad first died.  At the beginning of the film we are in...
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sound plans

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  score/non-diegetic sound  - field flashback - freedom, heart beat, echoing of laughter  - flashback - getting ready to go out - jazz music, diegetic sound, they are having conversations  - flashback - dinner - dramatic, diegetic sound, ringing  - ending scene - camera lingers on box, 'i only have eyes for you' by the flamingos - ending, name of song is a sign of meaning 
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over

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Over (2015) is a short film  that captures a crime scene revolving around a real event. A man fell from his death after hiding in the plane's landing gear on a flight approaching Heathrow airport in 2012. This film is in reverse chronological order which is showcased by the time stamps. This effect is that the peace of a neighbourhood is disrupted but we realise the peace is a way of time passing from the man's death.  In terms of of cinematography, the camera remains static and slow in it's movements to symbolise that we are left wondering how the man ended up there and what crime took place. The audience to do not find out until the aghast final shot, as the man falls from the sky and lands on the car. There is little dialogue so the cinematography is used for the source of narrative. With long shots that show the progression of a crime scene in reverse order, each shot provides a different angle and perspective which allows the audience to gain more detailed knowledge of...
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